Georgie Roxby Smith

hyperdentity
 

The interfaces that lead us into cyberspace prove that one cannot detach technology from desire. Digital technologies promise to transcend familiar reality and to connect us to the paradise that reality has taken from us. Down with the detours and delays of reality: let us have instant gratification! What we cannot have in reality, we can have via the fantasy screen. As a “consensual hallucination” cyberspace would be the utopic, new ideal world.

Interface Fantasy – Andre Nusselder

 

Georgie Roxby Smith works across a range of disciplines exploring new pathways between virtual and physical worlds. Employing a variety of tools - including 3D graphics, live performance, shared virtual and gaming spaces, installation and projection - these works explore the increasingly blurred border between identity, materiality, reality, virtuality and fantasy in contemporary culture. In 2010 Georgie was selected for The Watermill Center Spring Residency Program, NY, by an international selection committee of cultural leaders including Marina Abramović,  Alanna Heiss & Robert Wilson. In 2011 Georgie completed her MFA at the Victorian College of the Arts in Melbourne. Since 2012 Georgie has been focusing on gender representation and violence in video games, particularly that directed towards women on screen and in online communities.

Georgie has exhibited extensively both nationally and internationally including Art in Odd Places, New York, (where her work was featured in Time Out NY), Prospectives International Festival of Digital Art Nevada, Game Art Festival at Hammer Museum Los Angeles, Gamerz Festival (FR), Festival Miden (GR) and Generation i.2 - Aesthetics of the Digital in the 21st Century at Edith Russ Huas for Media Art (DE). Other highlights include curating and showing in NOW13:New Media Art Now, Substation Contemporary Art Prize and Self Help at Rawson Projects  Brooklyn, curated by Jocelyn Miller (MoMa PS1). Most recently, in 2015, Georgie showed at Strafsachengalerie in Austria , QUT Art Museum, James Makin Gallery and Data Flow: Digital Influence at Town Hall Gallery in Melbourne.

Awards and grants include the Australia Council of the Arts New Work, Artstart, Nellie Castan Award, Australian Postgraduate Award, Ian Potter Cultural Trust, Dame Joan Sutherland Fund and the Eldon and Anne Foote Trust Travel Grant.